For millenia, the camellia's flowers have exuded their delicate fragrance, their splendor of colors and a touch of exoticism. Its heyday in the Palmenhaus at Schönbrunn Palace in Vienna is almost over, but its magic is forever captured in our new Collector’s Item Grand Piano Camellia.

One thing I immediately liked about Grante’s playing was that he makes a differentiation in approach to Brahms’ original works and the variations he wrote based on the music of Handel, Paganini, Schumann and a Hungarian song, all of which require an entirely different approach to the rhythm. (Lynn René Bayley, Art Music Lounge)

Join us this spring for six remarkable free concerts live-streamed straight to you. On the magnificent Bösendorfer 280 Vienna Concert piano in the beautiful concert hall Casa Delle Culture e Della Musica in Velletri, pianist Carlo Grante will perform Beethoven, Mozart, Brahms, and more. Prior to each recital, special guest Bruce Adolphe will join Grante for a short discussion and Piano Puzzler based on each concert’s repertoire and composer. You won’t want to miss it!

"What Swiss pianist Melodie Zhao and Howard Griffiths present here is sensationally good. Spirited, virtuosic, exceedingly vividly articulated, they serve up these concertos often misunderstood as inconsequential early works." (Fono Forum 04/ 2021)

Nareh, acclaimed for her "sensual" narrative tone", "precise stylistic approach" and "dazzling technique", juxtaposes two vignettes of the Romantic piano repertoire: Brahms Opus 117 and Tschaikowsky's Opus 37.

Beethoven Piano Competition's Hybrid Approach Sets New Standards

I always thought Christa Ludwig was the greatest Brahms singer, but she was until I heard her sing Strauss. Again, I had to assign her a new throne. Then I heard her sing Wagner, and again I experienced the same thing. And when I heard her sing Wagner, and again I experienced the same thing. And when I heard her recently, with her incredible interpretation of the Old Lady in my musical "Candide", I had to give up. She is simply the best! (Leonard Bernstein)

I try to write music that expresses what I am thinking, feeling ... and am. Or the opposite".

Beatrice Berrut's very internalized and expressive playing interweaves wonderfully with Franz Liszt's late work, which soberly and suggestively at the same time, opened the way to modernity.

Two great artists, pianist András Schiff and composer/clarinettist Jörg Widmann, join forces for the first time on record, performing Brahms’s late masterpieces, the clarinet sonatas op. 120, written in 1894. In between the sonatas Schiff plays Widmann’s evocative Intermezzi for piano. As Jörg Widmann explains in a programme note, these are works inspired by his friendship with András Schiff and by a shared love of Brahms, to whom they pay tribute. The album was recorded at Neumarkt’s Historischer Reitstadel.